He's a veteran technology writer, editor, and reviewer with more than 15 years experience. HIGHLIGHTS: Chris used to work in Men's lifestyle and tech. He's fascinated by how photographers create, considering the fact that he's legally blind./ He's the author of various product guides, educational pieces, product reviews, and interviews with photographers. Chris's editorial work includes not only editing and scheduling articles but also writing them himself. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. Fujifilm Velvia 50 Velvia 50 actual filmĬhris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. So let’s take a look here.įor this section, the first image of each film is the RNI Films All Films Lite 4 simulation. Getting that look on Digital consistently isn’t an easy task. Digital gives me a bit more versatility and so when shooting and scanning these films, I can surely get one look that can be hard to duplicate. I shoot the same way more or less, unless I’m working with Tungsten white balance. All of the films that RNI Films All Films Lite 4 has are daylight balanced to 5500k or 5600k. In my years of testing cameras and lenses, I’ve come up with lots of sample photos I can test with and have shot in various situations that are similar for a comparison. With that said, I’ve also been a film shooter for a number of years with fairly standard testing procedures. Kodak Tri-x 100 – Clean / Grainy Our Test and ComparisonĪs many of you may know, the Phoblographer has been working to review every single film emulsion currently on the market. Kodak Elite Chrome 100 v3 – Clean / Grainy Kodak Elite Chrome 100 v2 – Clean / Grainy
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